Meet SPJ San Diego’s 2024 Walls and Windows Honorees

Every year, the San Diego Society of Professional Journalists hosts our Walls and Windows event to honor those in our community who have worked hard to expand the public’s right to know by fighting for transparency — and hold accountable those who have stifled these efforts.

Join us on Thursday, April 18 to hear from the awardees and mingle with other local journalists! Some food will be provided and drinks will be available for purchase.

When: Thursday, April 18 at 6:30 p.m.

Where: Mujeres Brew House, 1983 Julian Ave, San Diego, CA 92113

Window Award: Emily Cox, San Diego Superior Court

SD-SPJ’s annual Window Award goes to a person or public agency that has prioritized transparency and access to information. This year’s recipient is Emily Cox, public affairs officer for the San Diego Superior Court. 

In 2020, we gave a Skylight award to Emily’s predecessor, Karen Dalton, upon her retirement. “For years, it was difficult to get basic information on happenings at the San Diego County Superior Court and court officials were rarely prepared for major news events that drew large groups of reporters,” we wrote. “That reality changed with Karen Dalton.” In other words, Emily had some big shoes to fill. 

But reporters who cover the court will tell you that Emily’s upheld Dalton’s legacy and then some. She responds quickly to information requests and is always available to assist reporters who have questions about court business or who need help digging into case files. 

Emily launched a series of virtual town halls to help the press and members of the public better understand different types of court functions and services; she also participated in our recent Know Your Rights panel and regularly assists in organizing the annual Bench / Bar / Media panel discussions. 

Sunshine Award: Will Carless, USA Today

SD-SPJ’s Sunshine Award goes to a journalist or community member who went above and beyond to make the government more transparent and hold elected officials accountable. Will Carless, a national correspondent for USA Today, has been dogged in his efforts to pull back the curtain on extremism. (Will is a former staff writer for Voice of San Diego — and once a San Diego journalist, always a San Diego journalist.) 

Earlier this year, Will published an investigation into how the Department of Defense has lagged in promised efforts to root out extremists among its ranks. Though the stories didn’t directly have a San Diego tie, our region has large population of current and former military members and, as Will points out, research shows that “being affiliated with the U.S. military is the ‘single strongest’ predictor of violent extremism in America.” Despite threats to his personal safety, Will has tracked down people who participated in the Jan. 6 insurrection — including the son of the former chair of the San Diego Republican Party — and profiled the woman behind a social media account whose anti-LGBTQ+ posts have been tied to schools, hospitals and libraries being targeted by bomb and death threats. 

For too long, media outlets have not taken the recent rise in extremist rhetoric and activity seriously. This, we now know, was a mistake. Will’s reporting is critically important in letting people know how extremism festers and spreads, what its consequences are and what we need to do to combat it.

Wall Award: San Diego Mayor Todd Gloria

The Wall Award goes to the person or public agency that made it difficult for journalists to do their jobs by ignoring information requests or otherwise compromising the public’s right to know. The award this year goes to the office of San Diego Mayor Todd Gloria. 

The Mayor’s office has been busy over the past year coordinating responses to weather-related emergencies, grappling with an ongoing influx of migrants at the Southern border and creating new policies to address the burgeoning unhoused population in the city. Given all of the pressing issues affecting San Diego, we would expect the Mayor’s office to act with transparency by cooperating with journalists who are reporting on these urgent topics. However, we think officials have fallen short.

The Mayor’s office has developed a reputation for contacting journalists in the wake of unfavorable coverage to downplay, dispute or undermine their reporting, claiming that their important work is promoting distrust in the community. In one of many instances experienced by San Diego journalists, the Mayor’s chief spokesperson described a news story about the city’s neglect of Black and Latino neighborhoods prior to an unprecedented flood as inaccurate, “dangerous” and “harmful.” We disagree.

Multiple journalists working in print, TV and radio said they have been unfairly denied access to interviews, press conferences and site tours involving the Mayor’s office. Some described situations where the Mayor canceled or delayed interviews after critical news coverage about his administration. As one example, La Prensa, a news outlet with a history of critical coverage of Mayor Gloria, was denied access last year to tour a city-sanctioned campsite for unhoused residents, while 12 other newsrooms were invited to attend. The Mayor has declined accountability interviews about his approach to homelessness, and his office has ignored questions from reporters about the recent migrant crisis. We believe the Mayor’s office should focus more on cooperation and less on reputation management.

In addition, freelancers continue to have difficulties receiving press credentials from the San Diego Police Department, which is overseen by the Mayor’s office. Newsrooms also continue to experience issues accessing public records, a problem dating back years in the Gloria administration.

Mayor Gloria’s refusal to attend debates during the primary election is another example of a lack of openness that is harmful to both journalists and the public as a whole. We hope that this award will remind Mayor Gloria and his office that hindering journalists only hurts the people he was elected to serve.

SPJ San Diego’s Scholarship Contest is now open!

This year, SPJ San Diego will award up to five $1,200 scholarships to local college students in the categories of print, photojournalism and video/audio/multimedia. We are also awarding one $1,400 scholarship in honor of former North County Times columnist Agnes Diggs and one $1,000 scholarship in honor of former San Diego Union-Tribune reporter Bradley J. Fikes.

The deadline for scholarship applications is 9 p.m. Monday, April 22, 2024. Click here for full contest rules and click here to enter.

If you have any questions, email sdspjcollege@gmail.com.

Now Accepting Entries to the 2024 San Diego Area Journalism Competition

The 2024 SPJ San Diego Area Journalism Competition recognizes outstanding work by San Diego-area student and professional journalists published or broadcast during the 2023 calendar year. Entries will be accepted beginning Monday, Feb. 12, through Monday, March 11, at 9 p.m. PST.

Entries submitted by 9 p.m. PST Monday, March 4, will get our early bird rate. Please see “Contest Guidelines and Categories” for entry costs.

This year’s Distinguished Coverage Award topic is “barriers.” This may include a story or series of stories completed by a single reporter or a reporting team. The topic includes, but is not limited to: real or perceived barriers, such as physical walls, public officials putting up barriers to reporting, stories about barriers people face in finding employment, accessing health care or education, financial barriers, etc. Each outlet that produced reporting related to this topic should submit its best story, series, or segment, along with an essay of no more than 500 words on why the coverage merits recognition.

Submit your entries using the BetterBNC Media Awards platform — we’ve added several new categories this year that we hope will offer more journalists the chance to have their work honored. To register or enter the contest, open a new browser window or tab to http://www.betterbnc.com. Keep this window open to refer to as you submit your awards.

If you have entered awards via BetterBNC before — either for the SD-SPJ competition or for the SD Press Club awards — you should already be in the system, and you just need to select the 2024 SPJ awards contest.

All contest entries must be submitted online via BetterBNC and must be entered by or on behalf of the individual(s) who produced the work and must identify each individual involved in producing the work.

Students: This year’s scholarship contest will be run separately from the San Diego Area Journalism Competition. Please stay tuned for additional information to be posted later this week. 

Below are directions for preparing and submitting entries. If you have questions, please contact Wendy Fry at 619-395-8440 or wendyreports@gmail.com.

Best of luck to all of our applicants! And stay tuned for news about this year’s awards celebration!

How to Enter
Contest Guidelines and Categories 2024
FAQs 2024

San Diego Journalists: Know Your Rights

On Oct. 23, 2023, the Society of Professional Journalists San Diego Pro Chapter hosted a discussion between journalists and law enforcement professionals about the rights members of the media have at emergency scenes, courthouses and more.

Here is a summary of information our panelists shared during the event. We hope you find it to be a useful resource!

Panelists

  • David Loy, First Amendment Coalition
  • Anthony Molina, Chula Vista Police Department
  • Mónica Muñoz, San Diego Fire and Rescue Department
  • Adam Sharki, San Diego Police Department
  • Emily Cox, San Diego Superior Court

Your rights at the courthouse

Fill out forms MC-500 and MC-510 to request permission to photograph, record or film in San Diego Superior Court. A judge will review the forms, then grant or deny you access. Requests should be made one to two days in advance whenever possible. No filming is allowed in the courthouse hallways or common areas. If you are trying to film outside the courthouse, be sure to film against a wall to ensure jurors are not recorded.

In San Diego federal court, filming is not allowed. Some judges do not allow live tweeting or note taking during court, so be sure to check with the judge for permission.

Your rights at police scenes

Members of the public and the media have permission to conduct interviews, take photographs and film outside crime scenes in public places.

Access to and filming inside crime scenes is only allowed at the discretion of police on the scene, who will set up an inner perimeter and an outer perimeter with police tape.

Your rights at the scene of fires

The San Diego Fire and Rescue Department does not allow journalists to go up inside high rises where fires are occurring, but will allow journalists to cross into areas where wildfires are occurring, although they discourage doing so because it poses safety risks.

Journalists should not hinder fire rescue efforts or evacuations during their reporting.

Your rights at emergency scenes

State penal codes 409.5, 409.6 and 409.7 outline rules for media access to emergency scenes. PC 409.5 covers fires, floods, disasters, earthquakes and tornados, while PC 409.6 covers avalanches and PC 409.7 covers protests and demonstrations.

Under these statutes, “duly authorized” members of the media can cross law enforcement lines at emergency scenes as long as they are engaged in news gathering. The San Diego Police Department considers many kinds of media members to be “duly authorized,” including freelancers and bloggers. A press pass is not required to cross police lines — instead, a letter from an editor or a business card, along with an ID, can suffice.

Being prepared

Panelists at the SPJ event emphasized that entering emergency scenes comes with safety risks and should only be done after careful consideration. They suggested journalists go through hostile environment training and training covering conflict zones or riots before crossing police lines.

Journalists can also prepare themselves by coming to emergency scenes equipped with press badges or cards identifying themselves as reporters.

If you are denied access to a scene you are entitled to enter, you can try to educate the law enforcement personnel on scene about the legal statutes granting your access. You can also ask to speak with a supervisor or a media representative from the law enforcement agency, or you can reach out to groups offering legal help to journalists, including the First Amendment Coalition.